Perihelion’s network has been taken over by alien remnants and so has its engine, draped in organic alien remnants, so the ship kidnaps SecUnit, our SecUnit, the surgically altered, Murderbot who figured out how to turn off its own governing module. The problem is that SecUnit is not alone. Amena the somewhat annoying teenaged daughter of his new friends from Preservation is with him when he gets kidnapped. Fortunately the bot who usually controls Perihelion, the one our antisocial SecUnit calls Art, works with and understands teenaged humans and Amena is more grounded than she seems. This is the way Network Effects by Martha Wells, her fifth Murderbot book begins. From that point on the action is nonstop.
We are not at all sure why we like a SecUnit with an attitude, but he has become recognizable to us because of certain little foibles like his addiction to space movies which are basically space soap operas. SecUnit has taught Art to share his taste in movies. Whenever either can free up a small amount of his/her coded brain, which is a network in control of many things at once, you can bet there is movie running in the background with a title like Mainstream Defenders Orion or World Hoppers.
Clearly our SecUnit is also becoming more an augmented human than a murderbot. Murderbots are incapable of empathy or social anxiety. They are built to be stone cold murderers. Even before SecUnit turned off its own governor module it had far too many moral issues with the orders it was being given to be an efficient murderbot. When a murderbot doesn’t behave it gets shut down and reconfigured by whatever corporation or other entity owns it. Since they are very expensive they are usually owned by only the wealthiest companies and bonded out for specific jobs. Our SecUnit became his own “person” very early in his career. Here’s the old artificial intelligence question about whether or not machines can learn. And what about a machine that is a mix of machine parts and organics? SecUnit is quite lovable and handy to have around, but isn’t it possible that might not always be the case with an ungoverned murderbot. (Random, but valuable thought, not answered in this novel.)
We also get a enormous dose of animosity towards the role of corporations in exploring and developing planets. Martha Wells does not seem to believe that rapacious corporate entities are going to be any less greedy and profit-oriented out in space than they are on earth, but the repercussions could be very deadly. And sometimes they might be deadly on purpose. Entertain yourself sometime with Network Effect or one of the other Murderbot Diaries. If you don’t like them it may be because you are not addicted to space soap operas like me and the other bots.