This book is so unique that you might set it aside, but the departure from traditional story structure is an essential element of this novel of a man so private and yet so concerned with his legacy that just one version of his story will not suffice. Trust by Hernan Diaz will perplex you and engage you and deliver you up to an ending you will either love or hate.
This is a billionaire’s tale from before, during, and after the Great Depression. This is social commentary. It’s a glimpse into the roots of conservative American financial philosophy. It exposes the rationalizations for breaking financial rules for personal gains while assuaging guilt and, in fact, turning insinuations of crimes into a philanthropic set of actions that saved and preserved America. That’s some major league rationalizing. Andrew Bevel (aka Benjamin Rask) is practically on the autism spectrum with almost no social skills, but a clear understanding of markets, math, and the outputs of the ticker tape machine. We hear his story in four different versions from different fictional authors, Harold Vanner, Andrew himself, Ida Partenza, and Mildred Bevel. Similarly, we get four different views of Andrew’s wife, Mildred.
The author does not say that Bevel’s stock shenanigans (short selling) may have contributed to (caused) the crash of the stock market in 1929, however it’s possible to draw such a conclusion. We see market machinations through Andrew’s eyes so any criticism is offered through tone or insinuation; commentary as dry as Andrew’s personality. There is also the contrast between Ida Partenza’s father, activist and typesetter, socialist/communist/lefty. Andrew’s contempt for American workers who became impoverished during the Great Depression is a subtle match for the “makers” and “takers” that are used to rationalize the financial rights of twenty-first century millionaires and billionaires.
Hernan Diaz’s novel Trust is both different; and good. If I say too much it will ruin all your fun.