Two people, two Irish people, one male, one female, one from a wealthy family, one from a working class family, child of an unmarried mom are the focus of Sally Rooney’s novel Normal People. Marianne’s and Connell’s worlds would not naturally connect, but in this case Connell’s mom cleans the house that Marianne’s family lives in. Connell’s mother is supportive and loving, doing all she can to provide for her son and to let him feel that he can talk to her and rely on her. Marianne’s father was abusive towards his daughter and his wife. Even with her father gone, Marianne’s family provides no haven of security. Her brother continues the abusive pattern of the father through a campaign of constant criticism and actual bullying which the mother refuses to intervene in. The absence of loving parents leaves Marianne alone to contend with her brother, although it is obvious she has no strategies to help her succeed against him.
Connell is a success in high school, despite his absent father. He is a football player and he’s an excellent student. Marianne uses awkwardness to keep everyone at bay in high school because she has no faith in her appearance or in her social skills. She does not try to look attractive or to make friends, but her isolation adds to her lack of self-esteem. She and Connell begin a secret and, at first, sexual relationship, but as they also talk to and confide in each other the relationship deepens and they begin to become more than friends but not an actual couple.
Connell’s academic skills and his relationship with Marianne give him the confidence to imagine escaping his working class roots and he goes off to the same upper class Trinity University that Marianne will attend, instead of going to Galway where his accent would not set him apart, instantly telling his schoolmates his background. He is a sort of fish out of water at Trinity, however.
Marianne is in her element at Trinity and she begins to fit in. The abuse she was subjected to in her family still has her choosing partnerships where she submits to cruel men. In fact as Marianne seeks out men who will treat her badly, she physically becomes thinner and thinner, frailer and frailer. (I did not like the idea that as she became more invisible, almost disappearing, she also, according to the author, became more and more beautiful. This equation which says the thinner you get the more beautiful you become is not necessarily either true or healthy.)
Connell and Marianne come together and part. They try to have relationships with other people but their unfinished business with each other keeps bringing them back into each other’s orbit, while their personality challenges keep driving them apart. It is a dance that is less about love and more about therapy. Can people repair childhood damages in each other? Can they do this without forming a lifelong commitment to each other? Maybe. Is this a bit frustrating to a reader who always wants characters this addicted to each other to find a happy ending? Of course.
Since this is a character-driven novel, do the characters ring true? Almost. They are just a bit too two dimensional for us to really care about them. This is not Anna Karenina. But of course modern Ireland, once quite as tragic as a Russia in transition, now has problems similar to those of any modern nation. These characters could come alive in a movie, but they are not quite that absorbing in Rooney’s book, Normal People. I did enjoy the rare occasions when Connell’s “Sligo” dialect was reflected in the text and I wished that we heard it more often. It is probably impossible to write a perfect book and although some authors come close it is always possible to find flaws, so despite my complaints this was still a novel that I enjoyed reading from cover to cover.
Photo Credit: From a Google Image Search – NPR
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